I’ve been drafting a press release today for CHASTE – Churches AleChaste 2rt to Sex Trafficking in Europe – in response to yesterday’s announcement by Home Secretary Jacquie Smith about the police crack down on human trafficking .

I happened to mention that today was National Poetry Day. So CHASTE’S inexhaustible founder and chief exec, Dr Carrie Pemberton, suggested I publish a poem from their recently published book entitled Not for Sale: Raising Awareness: Ending Exploitation, available from their bookshop here.

This poignant poem, called Dog-girl, describes the feelings of a sex-trafficked girl, and was written by Lucy Berry:

Dog-girl

When you are a dog,

You watch your master all the time.

If he comes close

I look at the ground.

If he strokes you

You are happy it is not a beating.

Dogs cannot think.

Thinking is not for dogs.

When you are a dog

You obey straight away.

Come here.

Lie down.

Roll over.

If you are good

You get to eat and to sleep.

If I am not good

He beats me with

The lead from the kettle.

This is all a dog can expect.

I am a dog now.

There is a little park

Away through the alley

Which my window looks down through.

Dogs run there, no leads, playing.

But I am frightened of sticks.

Lucy adds:

Poetry is only worth reading (or writing) if it says something more intensely than prose can. By that, I don’t mean that all poetical topics have to be ‘heavy’. But the function of poetry is to feel more accurately/ authentically what you already thought you knew about – or to sense something entirely new. This poem about the sex-trafficked girl; could it have produced the same response in prose?

Lucy is absolutely right, poetry allows a more intense portrayal of emotions to be crafted.

What is your favourite poem? I must admit that since school I have read very little poetry, though I always enjoy delving into my local romantic hero, Rupert Brooke.